Event production and music festival workflow coordination
No Hammies operates a ~20-person event production outfit focused on music festivals and immersive experiences, with a Technical Director on staff. The hiring surge (11 roles in 30 days, mostly ops-focused across US, UK, Gulf states) paired with documented pain points around music advance workflows, schedule tracking, and procurement lead times suggests rapid event portfolio expansion. The tech stack is lightweight—Office, Google, Slack, Airtable, Concur—indicating reliance on spreadsheets and manual coordination rather than purpose-built event-management software.
Notable leadership hires: Technical Director
No Hammies produces music festivals and screen-based immersive events, including festival programming for major events. The company operates across multiple geographies (actively hiring in the US, UK, and Middle East) with a small core team. Operations dominate the hiring mix, reflecting the labour-intensive nature of event logistics—vendor coordination, schedule management, and production tracking. The project list (event schedules, project decks, music advance workflows, project reporting) and stated pain points (long procurement cycles, complex music festival coordination, schedule slippage) indicate a growing portfolio that has outpaced their current tooling and documentation practices.
Microsoft Office suite, Google Drive and Docs, Slack, Airtable, Concur (expense/procurement), Box, Smartsheet, and standard macOS/Windows endpoints. No dedicated event-management platform.
Music festivals and immersive screen-based events, including SXSW London programming. Active projects span event scheduling, music advance workflows, production reporting, and vendor coordination.
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